EVERYTHING OLD IS NEW AGAIN, Vol. 22 - December 2020

Everything OId Is New Again
Vol. 22 - December 2020

by Hunter Bush


Greetings, greetings! One and all! Welcome to another installment of EVERYTHING OLD IS NEW AGAIN, the column where I scan the horizon for upcoming film & TV projects based in some way on previously existing concepts. If it’s inspired by a book, or a modern update of an earlier film, or one of those long gap sequels, then it’s definitely EOINA material! Since we’ve all been spending a lot more time indoors, I’ve also taken to listing the EONIA-friendly titles that will be arriving on certain streaming services. They might not be new releases but hey, in a pinch they’ll do just fine.

Before we move on, I’d just like to take a second to mourn the passing of my local multiplex, the Regal/United Artists Riverview Plaza, a.k.a. The Riverview. I had already seen so many movies there in my lifetime that it would be impossible to keep track and that was before I moved to a place about 15 minutes’ walk away. I attended special screenings, limited engagement showings and organized group outings of friends. I even saw Speed Racer there, high on acid with my best friend and though that may not be “the only way to see it”, it’s definitely recommended. Philadelphia has many theaters. So my options aren’t nearly what I’d call “limited” and there are tons of unsavory stories surrounding the Riverview, but it will nonetheless always have a special place in my heart.

R.I.P. Riverview, you’ll be missed.

"12 HOUR SHIFT" (2020)

12 Hour Shift (2020)
Written and directed by Brea Grant
Starring Angela Bettis, David Arquette and Chloe Farnworth
Running time: 1 hour and 26 minutes
Unrated: contains drug use, organ harvesting, violence and brief rear nudity

by Hunter Bush



Horror comedies are tough to pull off in a way that satisfies both types of fans. It's even harder to manage with comedy this dark. No one ever really talks about "the hilarious world of black-market organ harvesting", ya know? But writer/director Brea Grant largely pulls it off. Not all the time, but many times I found myself chuckling or out-right laughing at some of the comedic beats here.

12 Hour Shift follows Mandy (Angela Bettis of May) on one disastrous shift at the hospital where she works (guess how long the shift is). We meet a bunch of her co-workers and eventually co-conspirators because, as we quickly learn, Mandy isn’t just a regular-degular nurse, she’s also one of a few middle-women in an organ harvesting scheme for some local criminals. Bettis is fantastic at walking the line between the two genres, at times leaning a little heavier one way or the other to make a joke land or to ratchet up the tension.