Last year I watched 47 movies. I thought that was a lot (and it is) but I still wanted to break that record. This year I saw 68. Sixty-eight! Next year I hope to watch 69. (Nice.)
Anyway, see below for my list:
<> <> <>
BLACK PANTHER
Seriously: Wakanda forever.
THE HAUNTING OF HILL HOUSE
Technically not a movie, but it deserves the exception.
ANNIHILATION
Beautiful, complex and sad.
GAME NIGHT
Biggest surprise of the year.
THE RITUAL
I'd enjoy it anyway, but the creature design makes it a favorite.
HALLOWEEN
I got surprisingly emotional during the finale.
MANDY
Panos Cosmatos translates my dreams to film.
THELMA
THELMA
A queer take on Carrie that burns slowly, but no less intensely.
THE KINDERGARTEN TEACHER
Maggie Gyllenhaal is fearless playing an irredeemable character.
THE MIMIC
Don't believe everything you hear (unless it's about how good this South Korean thriller is).
THE MIMIC
Don't believe everything you hear (unless it's about how good this South Korean thriller is).
WINCHESTER
Better than it seemed, but slept-on, this deserves a cult following.
UPGRADE
You can't fight the future in this Blumhouse banger.
APOSTLE
Literary-feeling ye olde horror of the highest order.
THE STRANGERS: PREY AT NIGHT
Worth waiting like 10 years since the original.
THE ENDLESS
Ambitious, fun and trippy. Benson & Moorhead made a Goosebumps book for adults.
REVENGE
Possibly the coolest film of the year.
UNSANE
Soderbergh experimenting with technique in the exploitation genre.
MOM AND DAD
A movie that makes you root for the bad guys.
THE BALLAD OF BUSTER SCRUGGS
Even mediocre Coen Bros. is better than most other films.
AVENGERS: INFINITY WAR
Candy for comic book nerds (which I am) with a chewy nougat center of failure.
You can't fight the future in this Blumhouse banger.
APOSTLE
Literary-feeling ye olde horror of the highest order.
THE STRANGERS: PREY AT NIGHT
Worth waiting like 10 years since the original.
A QUIET PLACE
THE ENDLESS
Ambitious, fun and trippy. Benson & Moorhead made a Goosebumps book for adults.
REVENGE
Possibly the coolest film of the year.
UNSANE
Soderbergh experimenting with technique in the exploitation genre.
MOM AND DAD
A movie that makes you root for the bad guys.
THE BALLAD OF BUSTER SCRUGGS
Even mediocre Coen Bros. is better than most other films.
AVENGERS: INFINITY WAR
Candy for comic book nerds (which I am) with a chewy nougat center of failure.
THE POLKA KING
Jack Black brings the house down in this true-life crime caper.
THE SPY WHO DUMPED ME
I would watch one million Mila Kunis / Kate McKinnon team-up movies!
INTO THE DARK: POOKA!
"Look at all the pretty lights."
SORRY TO BOTHER YOU
What. Just. Happened.
WON'T YOU BE MY NEIGHBOR?
I cried big, ugly tears.
UNCLE DREW
Shaq should get an MVP award for this.
MARY AND THE WITCH'S FLOWER
A familiar-enough story with wonderful, creative flourishes.
SICARIO: DAY OF THE SOLDADO
As far as wholly unnecessary sequels go, this one's pretty great.
AMERICAN ANIMALS
Solid performances buoy the occasionally self-satisfied tone of this heist tale, based on a true story.
BEFORE I WAKE
Solid thriller from Mike Flanagan shelved since 2016.
12 STRONG
a.k.a. Them Horse Boyz
INSIDIOUS: THE LAST KEY
Really enjoyable worldbuilding anchored by our love of Lin Shaye.
RAMPAGE
Can ya smell what The Rock and some giant CGI monsters are cookin'?
ROBIN HOOD
Even Taron Egerton doesn't know why they made this. Look at him.
SUMMER OF '84
Drenched in nostalgia, it kind of treads water for a while before an abridged but haunting climax.
A FUTILE AND STUPID GESTURE
The appropriately smart/dumb origins of The National Lampoon.
WILD WILD COUNTRY
Even for a cult, this is a viper's nest of strangeness and unreliable narrators.
HOLD THE DARK
Impressively bleak, but slightly too abrupt for me to love.
ERREMENTARI: THE BLACKSMITH AND THE DEVIL
Feels like a Guillermo del Toro B-side.
THE NIGHT COMES FOR US
Fantastically brutal.
CAM
Manages to make the real world and the supernatural goings-on equally fearsome.
THE LODGERS
Inconsistent internal logic, but wonderful visuals.
SATAN'S SLAVES
Classic style supernatural spookiness with a kinda confusing finale.
ANIMAL WORLD
A really fun cards movie bookended with murder-clown fantasies.
EVIL GENIUS
Truly chilling and sad.
SOLO: A STAR WARS STORY
This would be infinitely more enjoyable if it understood Han Solo as a character.
THE PREDATOR
Fun when it's not saggy, but it's frequently saggy.
THE CLOVERFIELD PARADOX
The main story is trashy horror fun, but the constant cut-aways to Earth slow the pace.
THE HURRICANE HEIST
Kinda takes too long getting to the good stuff, but when it does, it's very fun.
YOU MIGHT BE THE KILLER
If you're gonna do the self-aware horror thing in this day & age, you better at least do it this well.
HOW TO TALK TO GIRLS AT PARTIES
Pretty punk and pretty weird, but could've been punker and weirder.
LIKE FATHER
The dramatic core of a comedy is a hard thing to pin down. This does better than most.
NANCY
A very small film about big emotions; loneliness being chief among them.
TERMINAL
More interesting visually than intellectually.
LOVE, SIMON
Not a bad film, but I wanted something bolder.
BOOM FOR REAL: THE LATE TEENAGE YEARS OF JEAN-MICHEL BASQUIAT
An well-made documentary into a lesser-known side of Basquiat, left me wanting more.
TRUTH OR DARE
Great cast, but an underwhelming script.
DEATH WISH
Surprisingly toothless revenge thriller.
BAD SAMARITAN
Even David Tennant can't improve this subpar thriller.
A WRINKLE IN TIME
My biggest disappointment of the year, for sure.
OATS! STUDIOS, VOL. ONE
Neill Blomkamp's experiments with effects, format and story.
INTO THE DARK: THE BODY
The inaugural installment of this Blumhouse / Hulu team-up is promising but a bit lackluster.
SLICE
Like a pizza with literally everything: meats, veggies, drywall, carpet samples, dead pets, etc., etc.
TAU
I'm afraid I can't watch that, Dave.
PRODIGY
"I'll only eat my vegetables with some jelly beans and a nice Chianti."
Jack Black brings the house down in this true-life crime caper.
THE SPY WHO DUMPED ME
I would watch one million Mila Kunis / Kate McKinnon team-up movies!
INTO THE DARK: POOKA!
"Look at all the pretty lights."
SORRY TO BOTHER YOU
What. Just. Happened.
YOU WERE NEVER REALLY HERE
I cried big, ugly tears.
UNCLE DREW
Shaq should get an MVP award for this.
MARY AND THE WITCH'S FLOWER
A familiar-enough story with wonderful, creative flourishes.
SICARIO: DAY OF THE SOLDADO
As far as wholly unnecessary sequels go, this one's pretty great.
AMERICAN ANIMALS
Solid performances buoy the occasionally self-satisfied tone of this heist tale, based on a true story.
BEFORE I WAKE
Solid thriller from Mike Flanagan shelved since 2016.
12 STRONG
a.k.a. Them Horse Boyz
INSIDIOUS: THE LAST KEY
Really enjoyable worldbuilding anchored by our love of Lin Shaye.
RAMPAGE
Can ya smell what The Rock and some giant CGI monsters are cookin'?
ROBIN HOOD
Even Taron Egerton doesn't know why they made this. Look at him.
SUMMER OF '84
Drenched in nostalgia, it kind of treads water for a while before an abridged but haunting climax.
A FUTILE AND STUPID GESTURE
The appropriately smart/dumb origins of The National Lampoon.
WILD WILD COUNTRY
Even for a cult, this is a viper's nest of strangeness and unreliable narrators.
HOLD THE DARK
Impressively bleak, but slightly too abrupt for me to love.
ERREMENTARI: THE BLACKSMITH AND THE DEVIL
Feels like a Guillermo del Toro B-side.
THE NIGHT COMES FOR US
Fantastically brutal.
CAM
Manages to make the real world and the supernatural goings-on equally fearsome.
THE LODGERS
Inconsistent internal logic, but wonderful visuals.
SATAN'S SLAVES
Classic style supernatural spookiness with a kinda confusing finale.
ANIMAL WORLD
A really fun cards movie bookended with murder-clown fantasies.
EVIL GENIUS
Truly chilling and sad.
SOLO: A STAR WARS STORY
This would be infinitely more enjoyable if it understood Han Solo as a character.
THE PREDATOR
Fun when it's not saggy, but it's frequently saggy.
THE CLOVERFIELD PARADOX
The main story is trashy horror fun, but the constant cut-aways to Earth slow the pace.
THE HURRICANE HEIST
Kinda takes too long getting to the good stuff, but when it does, it's very fun.
YOU MIGHT BE THE KILLER
If you're gonna do the self-aware horror thing in this day & age, you better at least do it this well.
HOW TO TALK TO GIRLS AT PARTIES
Pretty punk and pretty weird, but could've been punker and weirder.
LIKE FATHER
The dramatic core of a comedy is a hard thing to pin down. This does better than most.
NANCY
A very small film about big emotions; loneliness being chief among them.
TERMINAL
More interesting visually than intellectually.
LOVE, SIMON
Not a bad film, but I wanted something bolder.
BOOM FOR REAL: THE LATE TEENAGE YEARS OF JEAN-MICHEL BASQUIAT
An well-made documentary into a lesser-known side of Basquiat, left me wanting more.
TRUTH OR DARE
Great cast, but an underwhelming script.
DEATH WISH
Surprisingly toothless revenge thriller.
BAD SAMARITAN
Even David Tennant can't improve this subpar thriller.
A WRINKLE IN TIME
My biggest disappointment of the year, for sure.
OATS! STUDIOS, VOL. ONE
Neill Blomkamp's experiments with effects, format and story.
INTO THE DARK: THE BODY
The inaugural installment of this Blumhouse / Hulu team-up is promising but a bit lackluster.
SLICE
Like a pizza with literally everything: meats, veggies, drywall, carpet samples, dead pets, etc., etc.
TAU
I'm afraid I can't watch that, Dave.
PRODIGY
"I'll only eat my vegetables with some jelly beans and a nice Chianti."
<> <> <>
So that's it. How many movies from my list did you see? What's your list look like?
I hope next year treats you and yours better than the year behind us. Cheers, and long live the movies!
No comments:
Post a Comment