Showing posts with label now playing. Show all posts
Showing posts with label now playing. Show all posts
Monday, May 20, 2019
"ANIARA (2019)"
The old axiom "There's just no winning the human race" reoccurred to me frequently throughout my viewing of Aniara, the pessimistically meditative new Swedish sci-fi feature from writer / directors Pella Kågerman & Hugo Lilja, based on the epic poem by Harry Martinson. Combining modest means with a truly grand scope, the filmmakers have managed to come away with a surprisingly multi-faceted work.
Friday, May 10, 2019
"THE INTRUDER (2019)"
Deon Taylor's The Intruder is uneven, riddled with clichés, largely poorly directed, seems edited with a hacksaw and stuffed at the margins with useless ADR dialogue. In short, it's trash. But then why did I absolutely love it?
Friday, May 3, 2019
"AVENGERS: ENDGAME (2019)"
It's fair to say I was suffering from a spell of Franchise Fatigue leading up to my viewing of Avengers: Endgame but...that may be the perfect headspace to go into it with?
Do you realize it hasn't even been a full year since Avengers: Infinity War came out (or Endgame: Part One if ya nasty) but in that time, two other Marvel movies have hit theaters? Wanna know where Ant-Man was when Thanos blew into town? You've gotta see Ant-Man and the Wasp. And then you've gotta go see Captain Marvel (who was teased in the Infinity War post-credit stinger) so you'll know...who the hell that even is. It's starting to feel like homework.
Thursday, April 25, 2019
"FAST COLOR (2019)"
Fast Color is the kind of movie I've been waiting to see made for a while, and one we're likely to see more of in coming years. It uses the big money buzz of superhero movies, but bucks all the spandex and villain clichés to instead make a smaller, more intimate feeling movie in a genre generally unrepresented when superhuman abilities are in play. One about family and one focused specifically on the relationships between mothers and daughters, but yes, also there are superpowers.
Monday, April 22, 2019
"Disneynature: PENGUINS (2019)"
Disneynature: PENGUINS (2019)
By: Hunter Bush
For: Moviejawn
Disneynature's latest doc Penguins is 70 minutes of extremely beautiful nature footage strung together by a decently entertaining narrative about 5-year old Adélie penguin Steve (voiced by Ed Helms who also narrates) and his attempt to start his own penguin family and then to keep that family safe and well-fed. I mean, yeah, it's pretty basic animal doc stuff here, but for what it's worth the Disneynature crew do a pretty solid job all in about the run time of an average Doctor Who episode.
By: Hunter Bush
For: Moviejawn
Disneynature's latest doc Penguins is 70 minutes of extremely beautiful nature footage strung together by a decently entertaining narrative about 5-year old Adélie penguin Steve (voiced by Ed Helms who also narrates) and his attempt to start his own penguin family and then to keep that family safe and well-fed. I mean, yeah, it's pretty basic animal doc stuff here, but for what it's worth the Disneynature crew do a pretty solid job all in about the run time of an average Doctor Who episode.
Thursday, February 21, 2019
"DONNYBROOK (2019)"
DONNYBROOK (2019)
By: Hunter Bush
For: Moviejawn
Donnybrook is like standing around a parking lot after the bar closes, watching everybody make bad decisions. Like listening to two blowhards talk about how they're gonna fight each other, but the logic only kind of makes sense and then when they do, finally, throw hands, it's over in ten seconds. And just as everyone is dispersing, you see that one of them had secretly been carrying a crowbar with the phrase "SOCIAL COMMENTARY" written on it.
"Hm..." you think to yourself, "I don't know if that would've been better if they'd utilized this secret weapon or not but it sure couldn't have hurt."
By: Hunter Bush
For: Moviejawn
Donnybrook is like standing around a parking lot after the bar closes, watching everybody make bad decisions. Like listening to two blowhards talk about how they're gonna fight each other, but the logic only kind of makes sense and then when they do, finally, throw hands, it's over in ten seconds. And just as everyone is dispersing, you see that one of them had secretly been carrying a crowbar with the phrase "SOCIAL COMMENTARY" written on it.
"Hm..." you think to yourself, "I don't know if that would've been better if they'd utilized this secret weapon or not but it sure couldn't have hurt."
Thursday, January 24, 2019
"Glass (2019)"
M. Night Shyamalan's latest, Glass, is the culmination of somewhere between 2 and 19 years of collective work, depending on how cynical a viewpoint you take. Regardless of how you ultimately feel about Glass, this Glass-verse Trilogy (trademark pending) will go down as one of the most unusual and unique trilogies in film.
Wednesday, December 19, 2018
"Mary Poppins Returns (2018)"
Long-gap sequels, or "legacy sequels", are a tough nut to crack. Picking up an intellectual property from ten, twenty, thirty years or more ago, dusting it off and making something hopefully new and exciting out of it isn't as easy an undertaking as you might think. You have to draw enough from the original source material(s) to please older fans while remaining accessible to new audience members. I am immensely happy to say that Mary Poppins Returns is one of the best I've seen.
Wednesday, November 28, 2018
"Robin Hood (2018)"
Robin Hood is fun, in a big, silly, action movie way. Much more fun than I was expecting, honestly, but it wears its influences on its sleeve so earnestly that it got a little exasperating. As it is the Thanksgiving season (and I've been watching probably entirely too much Great British Baking Show), I'll use a cooking metaphor: Otto Bathurst's Robin Hood isn't a new recipe, but it adds new spices: war movies, Christopher Nolan Batman films & political protest imagery. I guess then, my biggest problem is that certain bites felt over-seasoned.
Saturday, October 27, 2018
"Halloween (2018)"
Is it weird to tell you I got emotional during Halloween 2018? Well I did. My eyes welled up during the finale, watching the culmination of a 40-year battle with evil reach its close. Seeing how the story of Laurie Strode and Michael Myers finally ends... for now. Because, let's be real: this won't be the last Halloween movie. By hook or by crook, there will be more but that knowledge shouldn't diminish your enjoyment of any of them.
As with all movies, the movie itself should be taken on its own merit as much as possible, and on its own merit, Halloween 2018 is a story about the cost of surviving.
As with all movies, the movie itself should be taken on its own merit as much as possible, and on its own merit, Halloween 2018 is a story about the cost of surviving.
Friday, August 3, 2018
"The Spy Who Dumped Me (2018)"
THE SPY WHO DUMPED ME, as you may be able to tell, is a spy action/comedy that is living its best life when leaning on what sets it apart from the spy action movies it is ostensibly lampooning. As a spy movie SWDM is only so-so, featuring the obligatory globe-hopping location changes, "trust no one" attitude and face/heel turns the genre has worn into the ground. On the other hand, as a buddy comedy with two female leads, it soars.
Wednesday, January 24, 2018
"12 Strong (2018)"
The following is my review of 12 Strong, written for Moviejawn.
This is the unedited version, so any spelling or grammatical errors or vagueness is my own.
Plus, I Googled up some pics for added pizzazz.
I was instructed by Moviejawn HQ to focus solely on Michael Shannon for the duration of my viewing of the film 12 Strong; his performance, how his character's actions help move the story along, etc., etc. But bad news: there isn't nearly enough Michael Shannon in this flick.
Don't get me wrong now, I know this is based on a true story (and the book Horse Soldiers by Doug Stanton) but it's still a movie, not a documentary and I intend to talk about it from that perspective. As such, I will reiterate: I am sorely lacking in Michael Shannon in this movie. That isn't to say that the other performances aren't enjoyable. Chris Hemsworth does the stoic action movie thing as Captain Mitch Nelson just fine. Michael Peña is inexorably likable as the sarcastic Sgt First Class Sam Diller, joking about buying timeshares in the middle of a crossfire; Trevante Rhodes makes his performance as Sgt First Class Ben Milo shine through a familiar tough-guy-with-a-heart-of-gold shtick; and Navid Negahban takes you from distrusting his General Dostum to admiring his willingness to make peace amidst a war. All these performances are very engaging.
But none. Of them. Is Michael Shannon.
Shannon (as Chief warrant Officer Hal Spencer) enters in the second scene of the movie. We've opened with pre-9/11 terrorism news footage (for context) and seen Thor's family (his daughter turns off the 1987 Chipmunk Adventure movie to find 9/11 happening), but Michael Shannon and the rest of his team were on a training exercise, waist-deep in a river in full camouflage, complete with face paint, when the attacks happened. Shannon speaks for all of America at that moment in time:
MS: "What happened?"
Back at the military base, Shannon and his crew are trying to process everything and sort out what to do next when Thor shows up. They had been a unit until recently, when Hemsworth had requested a desk job to be near his family but now he's itching to defend America. Only problem is Colonel Bowers (Rob Riggle) doesn't think he can cut it. Luckily, Michael Shannnon is there to go to bat for him, telling Bowers:
MS: "You pull this team, you're cutting the head off of your most venomous snake."
Shannon's wife (Allison King) finds him packing thermal underwear in the garage and, cliche though it may be, Shannon definitely sells the idea that none of these men want to leave their families, but are duty-bound to it. His face when he tells his son he loves him is heartbreaking.
After that, Shannon does what he does best, apparently: standing behind Thor, lending him gravitas through sheer proximity as Thor takes a meeting with Colonel Mulholland (William Fichtner) to pitch himself as the right man to lead the task force into Afghanistan. Perhaps thanks to Shannon, Mulholland agrees. They'll be the first team into the region after 9/11, using (at the time) cutting edge technology to call in precision airstrikes. Hemsworth equates them (through sheer volume of unknowns) to the first men in space, to which Shannon unleashes a charmingly unhinged laugh:
MS: "You know what they sent into space first? A monkey!"
Thor picks his team (spoilers: there's 12 of them) and they find out that they'll be using a sandstorm as cover to fly in to meet their escort, travelling at 1,500 feet in a chopper designed for a third that height, exposed to the elements and without the benefit of oxygen tanks, at the risk of hypoxia. Michael Shannon is the defacto Chopper Cheerleader in this scene, reassuring everyone that they kind of have no choice so why not just get it over with. They land, make their rendezvous, and are lead to an outpost nicknamed The Alamo to await a meeting with Afghan warlord General Dostum (Negahban) who will be their guide in the region, helping them locate Taliban factions.
When Dostum arrives, he mostly ignores Thor, focusing instead on Michael Shannon, who he kisses on both cheeks. Dostum tells Thor that he doesn't have killer's eyes, like Michael Shannon and the others do. Clearly Michael Shannon is the teacher's pet (warlord's pet?).
Up until this point, I though I knew what the drinking game for this movie would be: Drink every time Michael Shannon stands around a little behind Hemsworth, looking like the Serious Man he is, which Shannon has done quite a bit. But General Dostum apparently has other plans: he only brought 6 ponies meaning Thor has to split Task Force Dagger in twain! So, I mean, of course you want Michael Shannon in charge of the Bravo team (who are staying behind at the Alamo) because he's your right hand man, but it sucks for me and any other Shannon-heads because he's effectively out of the movie for half of it!
Eventually the two halves do reconnect, but Shannon's Hal Spencer suffered a slipped disc from riding the horses and spends a lot of the back end of this movie laying down! (For Pete's sake! I came here for the Michael Shannon and now you're just teasing me!) On the positive side, Shannon does have the line: "That's the great thing about air strikes, you can call 'em in laying down!" and in the final action sequence, we get some nice Michael Shannon: Sniper action, but then to add injury to insult, Spencer gets injured.
This is where the movie and I really gelled because at that point Hemsworth's sole focus becomes taking out this big honkin' multiple missile launcher the Taliban has mounted on a pickup because as long as it's active, they won't be able to get a rescue chopper in to save Michael Shannon. And, as though the movie knew it had to make it up to me, it saved the best action sequence for the Shannonless gap right here: Hemsworth, on horseback, leading a group of General Dostum's men directly through a war zone to take out this Rocket Thing. It's a sequence that could have felt very much like a video game, but managed not to. The direction is all very close, showing how all the man on horseback were essentially rubbing shoulders with each other in this assault.
I do have to give this movie props (do the kids still say props?) in one regard though: their treatment of the horses. There were a lot of instances of CG gunfire and explosions, which would usually bug me, but I believe in this instance it was done in service of the animal actors; obviously a CG explosion is preferable to scaring holy hell out of some poor unassuming horse actor who only knows he's supposed to do his "falling down trick" now. There were also two shots of kind of hilariously fake horses presumably getting shot and throwing their riders. Director Nicolai Fuglsig and / or DP Rasmus Videbæk shot around them very well, but I was specifically looking for these type of effects.
In case you couldn't tell from my inability to call the Rocket Thing by whatever its proper term is, I'm not a big military guy and when I do watch a war movie, I tend to go for the older films or the ones about the older wars. Maybe that's because they're over? I'm not sure. Regardless, this movie does a good job of keeping things in perspective. Obviously this is a war that we, as a country, are still involved in so it would be impossible to give the movie some kind of grand scale view of the whole thing, as that would require distance we couldn't possibly have. So keeping everything focused on this team and what they accomplished is smart and effective.
It also avoids pandering to patriotism, which I find incredibly distasteful. "Because America" is never really used as a justification for anything, or a rallying cry, and things aren't as oversimplified as they could've been. Instead the situation with what's known as the Northern Alliance (basically all the disparate military groups that want the Taliban out of that region) is depicted as being a tenuous and complex lacework of smaller alliances; that old adage "My enemies enemies are my friends" is touched on with the caveat that they may not all be friends with each other.
All in all this isn't quite the military movie I was expecting, for better or worse. In my head, it was a wild, horse-ridin', gun shootin' adventure called Them Horse Boyz but the reality was a fairly measured film about soldiers being incredibly good at their jobs and accomplishing one groundbreaking feat after another. If this movie even kind of seems like your thing, I'd recommend it, just don't expect to get enough Michael Shannon.
This is the unedited version, so any spelling or grammatical errors or vagueness is my own.
Plus, I Googled up some pics for added pizzazz.
I was instructed by Moviejawn HQ to focus solely on Michael Shannon for the duration of my viewing of the film 12 Strong; his performance, how his character's actions help move the story along, etc., etc. But bad news: there isn't nearly enough Michael Shannon in this flick.
Don't get me wrong now, I know this is based on a true story (and the book Horse Soldiers by Doug Stanton) but it's still a movie, not a documentary and I intend to talk about it from that perspective. As such, I will reiterate: I am sorely lacking in Michael Shannon in this movie. That isn't to say that the other performances aren't enjoyable. Chris Hemsworth does the stoic action movie thing as Captain Mitch Nelson just fine. Michael Peña is inexorably likable as the sarcastic Sgt First Class Sam Diller, joking about buying timeshares in the middle of a crossfire; Trevante Rhodes makes his performance as Sgt First Class Ben Milo shine through a familiar tough-guy-with-a-heart-of-gold shtick; and Navid Negahban takes you from distrusting his General Dostum to admiring his willingness to make peace amidst a war. All these performances are very engaging.
But none. Of them. Is Michael Shannon.
Shannon (as Chief warrant Officer Hal Spencer) enters in the second scene of the movie. We've opened with pre-9/11 terrorism news footage (for context) and seen Thor's family (his daughter turns off the 1987 Chipmunk Adventure movie to find 9/11 happening), but Michael Shannon and the rest of his team were on a training exercise, waist-deep in a river in full camouflage, complete with face paint, when the attacks happened. Shannon speaks for all of America at that moment in time:
MS: "What happened?"
Back at the military base, Shannon and his crew are trying to process everything and sort out what to do next when Thor shows up. They had been a unit until recently, when Hemsworth had requested a desk job to be near his family but now he's itching to defend America. Only problem is Colonel Bowers (Rob Riggle) doesn't think he can cut it. Luckily, Michael Shannnon is there to go to bat for him, telling Bowers:
MS: "You pull this team, you're cutting the head off of your most venomous snake."
Shannon's wife (Allison King) finds him packing thermal underwear in the garage and, cliche though it may be, Shannon definitely sells the idea that none of these men want to leave their families, but are duty-bound to it. His face when he tells his son he loves him is heartbreaking.
After that, Shannon does what he does best, apparently: standing behind Thor, lending him gravitas through sheer proximity as Thor takes a meeting with Colonel Mulholland (William Fichtner) to pitch himself as the right man to lead the task force into Afghanistan. Perhaps thanks to Shannon, Mulholland agrees. They'll be the first team into the region after 9/11, using (at the time) cutting edge technology to call in precision airstrikes. Hemsworth equates them (through sheer volume of unknowns) to the first men in space, to which Shannon unleashes a charmingly unhinged laugh:
MS: "You know what they sent into space first? A monkey!"
Thor picks his team (spoilers: there's 12 of them) and they find out that they'll be using a sandstorm as cover to fly in to meet their escort, travelling at 1,500 feet in a chopper designed for a third that height, exposed to the elements and without the benefit of oxygen tanks, at the risk of hypoxia. Michael Shannon is the defacto Chopper Cheerleader in this scene, reassuring everyone that they kind of have no choice so why not just get it over with. They land, make their rendezvous, and are lead to an outpost nicknamed The Alamo to await a meeting with Afghan warlord General Dostum (Negahban) who will be their guide in the region, helping them locate Taliban factions.
When Dostum arrives, he mostly ignores Thor, focusing instead on Michael Shannon, who he kisses on both cheeks. Dostum tells Thor that he doesn't have killer's eyes, like Michael Shannon and the others do. Clearly Michael Shannon is the teacher's pet (warlord's pet?).
Up until this point, I though I knew what the drinking game for this movie would be: Drink every time Michael Shannon stands around a little behind Hemsworth, looking like the Serious Man he is, which Shannon has done quite a bit. But General Dostum apparently has other plans: he only brought 6 ponies meaning Thor has to split Task Force Dagger in twain! So, I mean, of course you want Michael Shannon in charge of the Bravo team (who are staying behind at the Alamo) because he's your right hand man, but it sucks for me and any other Shannon-heads because he's effectively out of the movie for half of it!
Eventually the two halves do reconnect, but Shannon's Hal Spencer suffered a slipped disc from riding the horses and spends a lot of the back end of this movie laying down! (For Pete's sake! I came here for the Michael Shannon and now you're just teasing me!) On the positive side, Shannon does have the line: "That's the great thing about air strikes, you can call 'em in laying down!" and in the final action sequence, we get some nice Michael Shannon: Sniper action, but then to add injury to insult, Spencer gets injured.
This is where the movie and I really gelled because at that point Hemsworth's sole focus becomes taking out this big honkin' multiple missile launcher the Taliban has mounted on a pickup because as long as it's active, they won't be able to get a rescue chopper in to save Michael Shannon. And, as though the movie knew it had to make it up to me, it saved the best action sequence for the Shannonless gap right here: Hemsworth, on horseback, leading a group of General Dostum's men directly through a war zone to take out this Rocket Thing. It's a sequence that could have felt very much like a video game, but managed not to. The direction is all very close, showing how all the man on horseback were essentially rubbing shoulders with each other in this assault.
I do have to give this movie props (do the kids still say props?) in one regard though: their treatment of the horses. There were a lot of instances of CG gunfire and explosions, which would usually bug me, but I believe in this instance it was done in service of the animal actors; obviously a CG explosion is preferable to scaring holy hell out of some poor unassuming horse actor who only knows he's supposed to do his "falling down trick" now. There were also two shots of kind of hilariously fake horses presumably getting shot and throwing their riders. Director Nicolai Fuglsig and / or DP Rasmus Videbæk shot around them very well, but I was specifically looking for these type of effects.
In case you couldn't tell from my inability to call the Rocket Thing by whatever its proper term is, I'm not a big military guy and when I do watch a war movie, I tend to go for the older films or the ones about the older wars. Maybe that's because they're over? I'm not sure. Regardless, this movie does a good job of keeping things in perspective. Obviously this is a war that we, as a country, are still involved in so it would be impossible to give the movie some kind of grand scale view of the whole thing, as that would require distance we couldn't possibly have. So keeping everything focused on this team and what they accomplished is smart and effective.
It also avoids pandering to patriotism, which I find incredibly distasteful. "Because America" is never really used as a justification for anything, or a rallying cry, and things aren't as oversimplified as they could've been. Instead the situation with what's known as the Northern Alliance (basically all the disparate military groups that want the Taliban out of that region) is depicted as being a tenuous and complex lacework of smaller alliances; that old adage "My enemies enemies are my friends" is touched on with the caveat that they may not all be friends with each other.
All in all this isn't quite the military movie I was expecting, for better or worse. In my head, it was a wild, horse-ridin', gun shootin' adventure called Them Horse Boyz but the reality was a fairly measured film about soldiers being incredibly good at their jobs and accomplishing one groundbreaking feat after another. If this movie even kind of seems like your thing, I'd recommend it, just don't expect to get enough Michael Shannon.
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